Hey folks,

I thought it would be neat over the next few weeks as we wind down to the festival to showcase some of our great talent, give you a little back ground on them and put some links to some songs up here. One of our great acts this year is the Hackensaw Boys.

Mind you this is per Wikipedia. I didn’t write this.

The Hackensaw Boys are a string band based in central Virginia, first formed in 1999. The band has drawn on many musical influences, but are best known as a secular gospel collective of east coast musicians dedicated to songwriting, Old-Time Music, Bluegrass Music, Country Music, Rock and Roll Music, live music played in expected, as well as unexpected venues in expected, as well as unexpected ways, recorded music, and are “Known best for rowdy, energetic live shows,”[1] the group is mainly a touring and live-performance act in the U.S. and Europe. The Hackensaw Boys have recorded and released five full-length albums and three EPs in that time. They have performed at prominent U.S. festivals including All Good Music Festival,[2] Bonnaroo,[3][4] Telluride,[5] andFloydFest. They have also performed at various festivals in Europe, including Bergenfest in Norway and The Open House Festival in Belfast.[6]

The Hackensaw Boys were founded in the Fall of 1999[7] by Rob Bullington, Tom Peloso, David Sickmen, and Robert “Bobby” St. Ours who were all living in Charlottesville, Virginia at the time.

Prior to forming Hackensaws, Sickmen and Bullington met in Harrisonburg, Virginia in the early 1990s. At the time, Bullington was playing in a band called Fried Moose.[8][9] Bobby St. Ours, along with brothers Phillip and Johnny, played in the Harrisonburg-based Route 11 Boys with Ketch Secor and Chris “Critter” Fuqua. Peloso formed a band with some friends in the same decade called Chigger, in which he played the doghouse bass and was the lead singer. Sickmen played in a band called Pieboy with future Hackensaw Boy, Ward Harrison. Fuqua and Secor would go on to found Old Crow Medicine Show in 1998. All had performed as young musicians on the open mic stage at the Little Grill diner in Harrisonburg, as well.[10] The Little Grill stage was also graced by future Hackensaw Boys, Ferd Moyse (no relation to Fried Moose), and Shawn Galbraith in 2004. At that time, the two were performing and touring with old-time string band outfit, The Blooms, from Black Mountain, NC, along with Jeremy Odom (guitar, vocals) and Emily Moberg (fiddle, bass).

The Hackensaw Boys formed in August 1999, when Sickmen, Bullington, Peloso, and St. Ours met at Miller’s restaurant in Charlottesville to watch Fuqua perform with the recently formed OCMS. Sickmen and Peloso had previously been talking about other possible music projects.[11] The four decided at that time to form a new group that would become known as The Hackensaw Boys.[11] They would develop their sound busking on the streets of Virginia.[7]

“Actually, at one point, I didn’t have a bass, and so Dave [Sickmen] had a ‘63 Buick Wildcat that he traded for a standup bass.”[12]

[edit]”The Dirty Bird”

In the Fall of 2000, an enlarged group of twelve musicians departed from Virginia in a 1964 GMC motorcoach,[7] nicknamed “The Dirty Bird”, on the six-week Get Some Tour of “theaters, bars, street corners and alleys.”[13] The bus had been given to the group by Charlottesville developer Oliver Kuttner, together with a second one dubbed “Ramblin’ Fever,” which went to Mark S. Hahn, then owner of the Blue Moon Diner.[14] Hahn briefly served as manager for the group.[15] The Dirty Bird currently lives in Charlottesville with Christian Breeden.

[edit]Touring

“We’d been around the country once on our own and then Cake picked us up for a tour after we opened up for them. And then that sort of spawned them picking us up for that package tour . . it sort of thrust us into the world of big arena touring. So we were like, ‘This is easy! We can do this.’ And then it’s not always like that. Before that, and even since then, we play a lot of small-scale, half-attended bars in random cities all over the countries and so did all those bands.”[15]

Rob Bullington

The group took part in the Unlimited Sunshine Tour the first two years. The 2002 tour included headliner CakeDe La SoulThe Flaming LipsModest Mouse, and Kinky. In addition to Cake, the 2003 tour featured Cheap Trick, “garage rockers” The Detroit Cobras, and “country legend” Charlie Louvinof the Louvin Brothers. In 2003 they served as Country Music Hall of Fame member Charlie Louvin’s backing band on one of his last nationwide tours.[13] They opened for Modest Mouse twice (a group founding member Tom Peloso eventually joined). The group continued to gain “a following as it traveled.” It has performed with such major acts as CrackerCamper Van Beethoven, and Railroad Earth. A tour in Europe featured events inBelgium and the Netherlands.[7] Overseas they have performed in such cities as AntwerpAmsterdam (Paradiso), LondonDublinBrussels,[16] andUtrecht. In the U.S. they have played venues in major music towns like Seattle, Asheville, San Francisco, Minneapolis, Knoxville, New York, Portland, Baltimore, Atlanta, Chicago, and Los Angeles.

The tours included appearances at the Bonnaroo Music Festival (2003 and 2004),[3][4] Telluride Bluegrass Festival in Colorado (2003),[5] All Good Music Festival (2004 and 2006),[2] FloydFest in Virginia (2003), and Pickathon in Oregon. Appearances at European music festivals includePukkelpop in Belgium (2005) and Bergenfest in Norway (2007 and 2008).[6]

A European tour Summer of 2012 includes: Germany, France, Poland, Belgium, England, Ireland, Scotland, and the Czech Republic.[17]

[edit]Nicknames

They came up with nicknames for each other because it seemed all of the old country and blues performers had them. This became a big part of their act. Original members included Robert “Mahlon” Bullington (1999–2011), Thomas “Pee Paw” Peloso (1999–2004), David “Shiner” Sickmen (1999–2005; rejoined 2012), and Robert “Uncle Blind Bobby” St. Ours (1999–2003). Phillip “Jigsaw” St. Ours played washboard in both Hackensaw and Old Crow early on (1999–2001), and then for Hackensaw in (2008). Other early members included Jesse “Baby J.” Fiske (1999–2011), Phil “Slate Hill Phil” Gianniny (1999–2001; d. 2006),[18][19] and Jimmy “Kooky-Eyed Fox” Stelling (1999–2007). Others to join the ever-evolving group have included Chris “Sawzall” Johnson (1999–2001), Justin “Salvage” Neuhardt (1999–2010), David “Bellows Lugusi” Goldstein (1999–2004), Charlie “C.B.” Bell (1999–2004), and Shawn “Plantain” Galbraith (2007–2012). Ferd “Four” Moyse joined in 2004, Ward “Cousin Spits” Harrison in 2006, Brian “Nugget” Gorby in 2010, and Ben “JuJu” Jacobs in 2012. Additional contributions came from William “Bear” Gage in 1999 and Drew “Pokey” LaFarge in 2006.[20]

[edit]Band name

The Hackensaw Boys derived their name “from the actions you perform on a mandolin (hack) and a fiddle (saw).”[21] Says Bullington “it was one of those jokes that sort of sticks . . and after about a week and you’ve played six or seven shows during the course of that week, you have no choice but to keep the name.”[12]

Ferd Lionel "Four" Moyse, IV on fiddle and David Sickmen on guitar at New World Brewery, Ybor City, Tampa, Florida on January 26, 2012.

[edit]Recordings

The first two Hackensaw Boys albums were released by the Valley Entertainment label: Get Some in 2000 and Keep It Simple in 2002.

“Our guitar player wrote ‘Keep It Simple’; there’s been some times where things seem to get so complicated with this whole thing. He wrote this song and played it over the phone, left a message, kinda sayin’, ‘Let’s not forget where we came from, let’s remember to keep it simple and not let things get away from us.’”[11]
—Tom Peloso

Keep It Simple, is packed with vigorous, pitchy bursts” notes Amanda Petrusich in her Pitchfork review, noting the album “doesn’t perfectly reflect the band’s fast-and-fierce live show . .

“. . but it offers a solid glimpse of their proclivity for catchy melodies, classic harmonizing, and stringy noodling. Somehow, the band infuses their grassy tornado with brazen punk attitude and catchy pop structure, while simultaneously remaining vehemently sincere; tracks like “Dance Around” feature prototypically bluegrassian lyrics (“Dancin’ with the girls/ That’s a mighty fine thing/ You ain’t gotta buy no wedding ring”) without mocking the traditions from which they came.[22]

Get Some was recorded by Rhoderick Cole in his Charlottesville mansion. Keep It Simple was recorded in Sickmen’s apartment in Charlottesville’s Linen Building, also by Cole who did the sound engineering on both recordings. Give It Back, released in 2004, was self-produced.

The group signed with the music label Nettwerk for the 2005 release of “Love What You Do”. Their second release for Nettwerk Records, Look Out! in 2007, was a “celebratory but defiant sound culled from old-time mountains, backstage doorways and punishing drives through the evolving American landscape” according to Isthmus/The Daily Page.

“In many ways (Look Out!) is a return to classic Hackensaw form, the punk-amped, old time foot-stompers and ragged harmonies that gained the band its reputation in the live setting when it formed seven years ago. One of the best additions is fiddler Ferd Moyse, who tears through the opening ‘Look Out Dog, Slow Down Train!’ with blazing fury.”

Another reviewer concurred, stating the album “is the Boys at their best, a perfect medium between their raw early years and the more polished sound of their previous release.”[23]Bullington states Look Out! “was definitely an attempt to capture sonically and as beautifully as possible, the sound of the Hackensaws onstage.” The group went into the studio “with the defined intention of . . trying to capture the live performance as best as we possibly could. And I think we totally succeeded in doing that.”[15] The album “got to No. 6 on the Americana music charts” and “contained nine originals including a couple from the sometimes Modest Mouse, sometimes Hackensaw Tom Peloso.”[24]

Following the release of Love What You Do and Look Out!, The Hackensaws departed from Nettwerk Records to release two independently produced six-song EPsThe Old Sound of Music, Vol. 1 and The Old Sound of Music, Vol. 2 These two collections are “recommended for anyone who feels that time, popularity and (maybe) Don Was has watered down Old Crow Medicine Show, The Hackensaw Boys bring the Appalachian string band roots with punk rock flowers hard and raw.”[25] The albums resulted from recording sessions held at the Sound of Music studios in Richmond, Virginia. They were mastered by Grammy award winner Charlie Pilzer. As with Look Out! in 2007, all songs were engineered by Bryan Hoffa, archival audio restoration specialist at the Library of Congress. The titles, bestowed by Ferd Lionel Moyse IV were inspired by the fact that these were the last two recording projects to come out of the old Sound Of Music facility, which has recently moved to a new building in Richmond. The Old Sound of Music, Vol. 1 and The Old Sound of Music, Vol. 2 are available for sale at live Hackensaw Boys shows, in select record stores, and can be purchased and downloaded in digital form from The Hackensaw Boys[26] official website.

[edit]Charismo

Brian Gorby on charismo with The Hackensaw Boys, Legacy Credit Union Stage--Birmingham, Alabama June 15, 2008.

A distinctive aspect of the Hackensaw live-performance experience is the percussion instrument known as a “charismo”. Invented and played by Justin “Salvage” Neuhardt, who also performs on spoons and the musical saw, it is described as “a home-made tin can contraption.”[13] Calvin James Pynn of The Tartan (Radford University) notes, “Neuhardt’s charismo” is the “most notable” of their instruments:

“. . a homemade percussion instrument made from tin cans, license plates, a hubcap, and book bag straps, and then mercilessly beat with wire-brush sticks. While old-time music is generally marked by its strict absence of percussion, the charismo has an almost symbolic presence in The Hackensaw Boys’ music and live shows, and is an irreplaceable aspect of their sound.”[27]

In an interview with Scott Simon of N.P.R. Neuhardt himself explains how it came to be:

“Q: Salvage . . now you say you play a pile of junk? A: That’s right. Q: We’re looking at your instrument now has . . like, half a dozen tin cans, a punctured aerosol can . . A: A coconut milk can, tea can, breath mints, bike bells . . Q: Hubcap is that? A: Hubcap, yep, found on the border of Colorado. Most of it has just come from where ever we’ve been, and various recycling centers around the United States. Q: So you keep adding to your instrument? A: Well, I, uh, usually just make ’em and break ’em, and then make a new one. It’s kind of ever-evolving, sort of ever-changing.”[12]

According to photographer Ryan Romero, who saw Neuhardt play his contraption on the streets of Los Angeles, it is an “incredible homemade multi-percussion objet d’art slung across his chest made up of upside down cans tied together with rusted wire.”[28] Romero reported in 2010 that:

“He’s made 76 of these beauty’s so far. He’s exhibited them in galleries and sold ‘em in music shops.”[28]

Neuhardt can be seen playing his charismo in this video: “Live your life – Brock & the Brockettes & the Hackensaw Boys.”

[edit]Musical style

“When we typically do our shows, there’s the raucous and the wild show and then we hop off the microphones and do acoustic songs. That is the testing ground for the new material. There’s not as much pressure under the microphones and the lights. That is where we sneak stuff in. . . it’s one of our favorite times of the show . . If you don’t have a porch, we bring the porch to you.”[24]

Ward Harrison
“Like the name dictates, the Hacksensaw Boys are all about finger picking banjos, fiddles and baritone harmonies run through the punk rock blue grass ringer. They are as likely to hit home with hippies as rockabillies, or anyone who wants to raise a glass and stomp a hole through the ole wooden dance floor.”[29]
HerohillReview of Look Out!

“I don’t get that fired up that many other times in my life like when we play our songs. It’s remarkable how it can transform you that way, especially when you see old people get up and shuffle around dance style. I’ve seen some people make fools of themselves in a most delightful way. We play at ridiculous tempos, screaming and hollering, seemingly doing musically questionable, possibly atrocious things by pop culture standards, but if you’re there and involved with it there’s raw excitement. You can’t package that.”[30]

Jesse Fiske

As founder Bullington puts it “we can play an old folks home in the afternoon and then play for a bunch of punk rockers, or whoever else might still be up and ready for a good time, or some music at midnight. They all seem to enjoy it equally.”[15] Fellow founder Sickmen claims “the original intent of the band . . was to bring old-time Appalachian country punk rock.”[31] Band member Jesse “Baby J.” Fiske questions the importance of assigning a specific style: “We’re not really an old-time band either. As long as we speak to someone, it doesn’t really matter what the genre is.”[7] The group largely performs original material, with a traditional feel. As Shawn Galbraith, banjo player, puts it: “We play original material provided by different members of the band. There are some traditional elements to our sound for sure, but we always try to maintain some uniqueness.”[32] “I don’t think many people would call us a traditional oldtime band,” states Sickmen: “I’d say our songs are about ninety percent originals. Then we have some old-time songs we play in our own way.”[31]

“As always, the band has been touring across the country like a pack of mad dogs, delivering the old-time, front-porch sounds of the Blue Ridge Mountains through a filter of punk angst.”[33]
—Jedd Ferris, The Daily Progress

[edit]Awards, honors, distinctions

[edit]

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